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Stigler
Lectures
Stigler
Background
Emerson
Hegmon
Knight
2001-2002
2000-2001
1999-2000
Home Page
Stigler
Lectures
Stigler
Background
Emerson
Hegmon
Knight
2001-2002
2000-2001
1999-2000
Home Page
Stigler
Lectures
Stigler
Background
Emerson
Hegmon
Knight
2001-2002
2000-2001
1999-2000
Home Page
Stigler
Lectures
Stigler
Background
Emerson
Hegmon
Knight
2001-2002
2000-2001
1999-2000
Home Page
Stigler
Lectures
Stigler
Background
Emerson
Hegmon
Knight
2001-2002
2000-2001
1999-2000
Home Page
Stigler
Lectures
Stigler
Background
Emerson
Hegmon
Knight
2001-2002
2000-2001
1999-2000
Home Page
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The Robert
L. Stigler, Jr.
Lectureship in Archaeology
Prehistoric Art
2002 - 2003 Lecture
Series
Art is a cultural
universal that captivates anthropologists, art historians, other artists,
and the public at large. Why and for whom was art created? How true is
art as a window into the past--the past of cultures and individuals and
events? Does art speak to broader issues of thought, cognition, and style?
Are these concerns ones we can understand in the absence of direct experience
with the artist? That is, can we go beyond art appreciation to the underpinnings
of society, a culture, now long gone?
Whatever the medium, prehistoric art is the preserved, intended visual
representation of daily life, people, ideals, hopes, cosmology, experiences
and things-real and imagined. Prehistoric art is our strongest link to,
and our most tangible expression of a person, a group, and a time before
written history. Prehistoric art is a puzzle wrapped in a mystery. Our
purpose is to unwrap the enigma and to celebrate the art, the artist,
and the cultures that created them.
This year's lectures
address different aspects of prehistoric North American art. Because archaeologists
consider art in ways almost as varied as the art itself, we chose to showcase
many forms of artistic expression and evaluation. We begin with one of
the larger puzzles of North American prehistory, the art and complex,
agrarian societies of the American Midwest and Southwest from the time
before Columbus some 600 or more years ago. The first two lectures deal
with the tangled net these societies cast. In November, Dr. Emerson speaks
about Cahokia, the largest prehistoric town north of Mexico which is across
the Mississippi River from present day St. Louis, Missouri, and its artistic
and social connections to Spiro, its amazing Great Mortuary and mound
center. Spiro is on the Poteau River before it joins the Arkansas River
just west of Fort Smith, Arkansas, in east Oklahoma. In March, Dr. Hegmon
continues this assessment by an examination of puebloan cultures of the
American Southwest. In April, Dr. Sundstrom assesses Northern Plains rock
art and its implications for charting culture change and cosmology.
We invite you to
meet our speakers at the informal receptions held in their honor following
their lectures.

A
Special Dedication
The 2002-2003 Stigler
lectures are special to us for a number of reasons. Not least is the role
Allen
P. McCartney has played in their inception and development.
Allen is a pivotal
figure in Arctic archaeology and in the study of human adaptations to
maritime environments. His research is sponsored by grants from National
Science Foundation, National Endowment for the Humanities, National Geographic
Society, and by branches of the Canadian government. Over 60 publications
showcase his many contributions to Arctic studies. He is a co-author of
the Smithsonian Institution's Handbook of North American Indians Volume
5 -Arctic. For much of the past two decades he edited the international
journal, Arctic Anthropology. Allen chaired the Department of Anthropology
for several years and, in the mid-1980s, was asked by Bob Stigler's parents
if the department would be interested in inaugurating this lectureship.
After consultation with the department faculty, who unanimously agreed,
Allen said we would be delighted.
From its inception in 1987 until spring of 2002 Allen chaired the Robert
L.Stigler, Jr. lecture committee. He remains the driving force behind
the lectures. His good humor and compassion for friends, colleagues, students,
and the public is a prime reason the lectureship attracts world-renowned
scholars. Allen's self-effacing and congenial way always ensures the best
possible environment both for the lecturers and those who come to hear
them. Harry S Truman's notion that one can do ever so much as long as
he does not take the credit, is clearly Allen's philosophy too; and one
we continue to emulate.
Parkinson's disease has forced Allen to cut back on his participation
in the lectureship and other university activities. Allen's interests
have been constant and remain the well-being of others, and the promotion
of knowledge about landscapes and people. His legacy justifiably centers
on the Arctic. For us this lectureship is a vision of what anthropology
and archaeology contribute to understanding our planet; it's Allen's vision.


November
21, 2002
Thomas E. Emerson, Ph.D.
Director and Adjunct
Professor, Illinois Transportation Archaeological Research Program, Department
of Anthropology, University of Illinois
-
Lecture:
"Art and Its Material Sources: the Cahokia-Spiro Connections," Giffels
Auditorium, Old Main, 7:30 p.m.
Thomas
E. Emerson is a senior Midwestern archaeologist who has devoted
much of his professional career to the evaluation of late prehistoric
complex society. His current administrative responsibilities include the
direction and management of Illinois statewide archaeological, historical,
and architectural programs. His view of the Mississippian Period urban
center of Cahokia now constitutes one of two competing ideas about the
development of ranked society in the southeastern United States, and the
collapse of the Cahokian polity as a result of rapid political failure.
His research of the Crow Creek massacre in South Dakota also was a catalyst
in recognizing the scope of pre-Columbian warfare. Dr. Emerson is a graduate
of University of Wisconsin, Madison, from 1984-1994 was Chief Archaeologist,
Illinois Historic Preservation Agency, and has held teaching positions
at University of South Dakota and Belloit College. The National Science
Foundation supports his current research on sourcing flintclays from which
Cahokian style figures were sculpted. He publishes widely and extensively
on Midwestern and Plains archaeology, is the editor of nine celebrated
volumes on Midwestern prehistory, and has edited the journals South
Dakota Archaeology and Illinois Archaeology. Among his more
recent publications are two books from 1997, Cahokia: Ideology and
Domination in the Mississippian World (edited with T. Pauketat) and
Cahokia and the Archaeology of Power.
WEBSITES
- Figurines,
Flint Clay Sourcing, the Ozark Highlands, and Cahokian Acquisition,
by Thomas E. Emerson and Randall E. Hughes, American Antiquity
65(1):79-101, January 2000
- Mineralogical
Approaches to Sourcing Pipes and Figurines from the Eastern Woodlands,
U.S.A., by Sarah U. Wisseman, Duane M. Moore, Randall E. Hughes,
Mary R. Hynes, Thomas E. Emerson, Geoarchaeology 17(7):689-715,
2002. (PDF 423K)
- PIMA
PROJECT: SOURCING HOPEWELL PIPES AND CAHOKIA FIGURINES
SCHEDULE
OF PUBLIC EVENTS
-
12:30
Lunch at the Brew Pub, with an informal lecture and discussion with
students and interested parties (contact gvogel@uark.edu
to be included in the reservations)
-
5:30
Dinner at the Bangkok Diner on Dickson Street (contact gvogel@uark.edu
to be included in the reservations)
-
Lecture:
"Art and Its Material Sources: the Cahokia-Spiro Connections," Giffels
Auditorium, Old Main, 7:30 p.m.

March
6 , 2003
Michelle Hegmon, Ph.D.
Associate Professor,
Department of Anthropology, Arizona State University, Tempe
-
Lecture:
"Culture, Style and Technology in Southwest Archaeology," Giffels
Auditorium, Old Main, 7:30 p.m.
Michelle
Hegmon's career in Southwest archaeology is truly stellar. Her graduate
education at the University of Michigan advanced a more general interest
in artifact style as a social strategy. She also is proficient in the
technology of ceramics, one of the mainstays of Southwest archaeology
and crucial to her research of its Mimbres culture. Since 1996, she and
Margaret C. Nelson have received two major multiyear grants from the Turner
Foundation for their Mimbres research. Other related grants have come
from National Geographic Society, and doctoral dissertation improvement
grants for her students from the National Science Foundation. While centered
in the Southwest, Dr. Hegmon's research knows no geographic boundaries
and is widely published. Her research showcases gender in archaeology,
the archaeology of the social realm, food production and village communities,
regional exchange and interaction, and style and material culture. These
concerns reflect modern theoretical trends in American archaeology. Her
scholarship and forceful, persuasive advocacy of these issues are balanced
by a well-appreciated keen sense of humor. Prior to coming to Arizona
State University, Dr. Hegmon taught at New Mexico State University, Las
Cruces. Her most recent book, published in 2000 by University Press of
Colorado, is the edited volume, The Archaeology of Regional Interaction:
Religion, Warfare and Exchange in the American Southwest.

March 17
, 2003
Vernon James Knight, Ph.D.
Professor of Anthropology, University of Alabama, Tuscaloosa
Professor
Knight is a gifted speaker who brings a wealth of experience to
this subject. He and his colleagues have published widely and persuasively
about the Southeastern Ceremonial Complex. Its imagery of otherworldly
beings includes bird serpents, bird-men, human-headed snakes, and other
fanciful creations. In Oklahoma just west of Fort Smith, Arkansas is
Spiro, where a central element of the Southeastern Ceremonial Complex
is identified as the Classic Braden style complex of engraved objects
of marine shell and copper; its iconic connections span much of the
American Southeast. This complex represents a vital element of prehistoric
art in eastern North America found most spectacularly at Spiro, at Etowah,
Georgia, at Cahokia, Illinois, and at Moundville, Alabama, where Knight
has devoted much of his professional career. The Smithsonian Institution
Press volume, Studies in Moundville Archaeology, published in
1998 and co-edited by Knight and Vincas P. Steponaitis is a primary
source on this site. This volume is a natural outgrowth of Knight's
doctoral dissertation, Mississippian Ritual, completed in 1981
at the University of Florida. In 2001, Knight, James A. Brown, and George
E. Lankford published the seminal article, "On the subject matter
of Southeastern Ceremonial Complex art," in the journal Southeastern
Archaeology. The more than half century of lively debate about this
complex's meaning undoubtedly will continue. Knight and his colleagues'
efforts have shifted this debate to the underlying ritual structure
of Southeastern Ceremonial Complex art.
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