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 The
Artificial SouthernerEquivocations and Love Songs What does it mean to claim a Southern identity in an America gridded by the Internet and spotted with shopping malls and Stepford suburbs? The Artificial Southerner tracks the manifestations and ramifications of "Southern identity"—the relationship among a self-conscious, invented regionalism, the real distinctiveness of Southern culture, and the influence of the South in America. In these essays columnist Philip Martin explores the region and those who have both fled and embraced it. He offers lyric portraits of Southerners real, imagined, and absentee: musicians (James Brown, the Rolling Stones, Johnny Cash), writers (Richard Ford, Eudora Welty), politicians (Bill Clinton, Jimmy Carter). He also considers such topics as the architecture of E. Fay Jones, the biracial nature of country music, and the idea of "white trash." "Every American has a South within," he says, "a conquered territory, an old wound . . . a scar." His work meditates on the rock and roll, the literature, the life, and the love which proceed from that inner, self-created South.
"Witty and honest . . . a well written, engaging collection of essays that focuses upon the central cultural consensus of the contemporary south." —Charles Reagan Wilson, director, Center for the Study of Southern Culture. Co-editor, Encyclopedia of Southern Culture "These essays are gems! When I agree with them, I'm delighted to see my views so well expressed. When I disagree (not often), they make me think hard about why. . . . I'm glad to have spent some time [with Phil Martin]." —John Shelton Reed, University
of North Carolina 2001 Philip Martin writes for the Arkansas Democrat-Gazette, and is also the author of The Shortstop's Son (Arkansas, 1997). He has played in blues bands and picked tobacco. He lives in Little Rock, is married, and keeps three dogs. |
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