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Calder from the UA Fine Arts Center Gallery

 

     
 
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Books by Molly Giles

 

 

Iron Shoes: A Novel
Simon & Schuster 2000

“Giles's narrative is animated with zesty prose, whip-smart observations and a refreshing roster of minor characters... It is a sparkling and witty account of one woman's belated coming-of-age.” —Publishers Weekly


Creek Walk and Other Stories
*A New York Times Notable Book*
Scribner 1998

“Like Grace Paley, Giles writes exquisitely voice-driven stories that bring arch humor to the social and interior lives of her characters.” —Publishers Weekly

“Giles is a master of the short story.” —USA Today


Rough Translations: Stories
*Boston Globe Fiction Award*
*Flannery O'Connor Award for Short Fiction*
*BABRA Award for Fiction*
U. of Georgia Press 1993

“A current as irresistible as the tide flows through and unifies these stories.” —Publishers Weekly


 

More about Molly Giles

 

 

Giles teaches classes in Magazine Fiction, Prize Fiction, and First Novels as well as MFA and undergraduate workshops in the short story and novel. A Professor of Creative Writing at San Francisco State University for 17 years before coming to Fayetteville, Giles has also taught at the University of San Francisco and at countless summer workshops, including The Squaw Valley Community of Writers, The Napa Valley Writers Conference, and the Jack Kerouac School of Disembodied Poetics at Naropa University.

Her awards include fellowships from the NEA, The McDowell Colony and Yaddo, The Flannery O'Connor Award for Short Fiction, two Pushcart prizes, the Commonwealth Club of California Silver Medal, the Bay Area Book Reviewers' Award, and (the wordiest) The National Book Critics Circle Award for Book Reviewing. In addition to teaching, she also works as a freelance editor and has edited the novels of Amy Tan.

She is currently working on a second novel and a third collection of short stories, portions of which have appeared or are forthcoming in The Missouri Review, Nimrod, Other Voices, Ratapallax, River City, and The Southern Review.

 

 

 

 

 

     
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