Composition and Music Theory at the U of Arkansas

    The University of Arkansas Music Department offers degrees in both Music Theory and Music Composition that will help you grow as a musician in a friendly environment.  You may study towards a Bachelor of Music or Master of Music degree in either theory or composition.  Recent graduates have gone on to further studies at many of the best graduate music schools in the country including The Cincinnatti College Conservatory, Stony Brook, and Florida State University.
    At both the undergraduate and graduate levels you can concentrate on music composition for traditional ensembles such as orchestra, band or choir, or focus on writing music in the jazz idiom, or if you wish you can study writing music for video.  Our composition program enjoys a close partnership with the UA School of Journalism's documentary studies program and our students have collaborated on various video projects.
 
 

For more information contact any of the faculty members listed below by the email links
or phone us at (479) 575-4190, or by mail at Music Department /
University of Arkansas / 201 Music Bldg. / Fayetteville, AR  72701

More specific information about course requirement and offerings can be found here:
http://advancement.uark.edu/catalogofstudies/


The Faculty
Jpeg of Robert Mueller
Robert Mueller, D.M.A.
Associate Prof. of Music Composition Robert Mueller teaches composition, music theory and directs the UA Orchestra. He has won various composition competitions and his music has been performed nationwide by several orchestras including the Cincinnati, Omaha, Lansing, Billings, Great Falls, Jackson, and Arkansas Symphonies. A number of music festivals have programmed his music, including the Bowling Green New Music and Art Festival, the Music Festival of Arkansas, the Southwest Contemporary Music Festival, and conferences of the Society of Composers, International Double Reed Society, and College Music Society. Dr. Mueller holds degrees from the Cincinnati College-Conservatory of Music, Bowling Green State University, and Northern Michigan University, and has studied composition with Jonathan Kramer, Joel Hoffman, Allen Sapp, Darrell Handel, and Marilyn Shrude. His music has been recorded on the Contemporary Record Society Label and has been published by C. Alan Publications and Bocal Music Press.
mueller@uark.edu

Lisa Margulis Photo
Lisa Margulis, Ph.D.

Elizabeth Margulis has a B.M. in piano performance from the Peabody Conservatory of Music, where she studied with Veda Kaplinsky, and a Ph.D. from Columbia University. Her research approaches music from the perspective of cognitive science. Her work has appeared in diverse journals including Music Perception, Psychology of Music, Journal of New Music Research, Music Theory Spectrum, Computer Music Journal, Review of General Psychology, Human Brain Mapping, American Journal of Bioethics, Annals of the New York Academy of Sciences, and Journal of Music Theory. A co-authored chapter on music and expectation will appear in the Handbook of Music and Emotion, forthcoming from Oxford University Press. She has presented at conferences including the International Conference on Music Perception and Cognition, the International Conference on Music and Gesture, the annual meeting of the Society for Music Perception and Cognition, and the annual meeting of the Society for Music Theory. She has been a fellow at the Santa Fe Institute Complex Systems Summer School and at the Mannes Institute for Advanced Studies in Music Theory. She is interested in arts advocacy, and received a Classical Music Initiative Grant from American Public Media. She serves on the Executive Board of the Society for Music Theory. She is involved in several research projects with students and received the 2008 Faculty Gold Medal for mentoring undergraduates. Before coming to the University of Arkansas, she was on the faculty of the music cognition program at Northwestern University.

Contact her by email
 
Jpeg of Jim Greeson
James Greeson, D.M.A
Professor of Music Composition James Greeson writes orchestral and chamber music as well as jazz compositions and soundtracks for documentary films which have been broadcast across North America.  His commissioned pieces have been performed in New York's Carnegie Hall and Symphony Space.  His music is published by Oriana Press in Cardiff, Wales, UK as well as the U of Northern Colorado Jazz Press.  In 2009 he was awarded a regional Emmy award for the soundtrack for the PBS documentary "The Buffalo Flows."  Two others were nominated for Emmy awards for the soundtracks and twof the nine documentaries he scored have won regional Emmy awards.  He also is deeply involved in music technology and software creation.  At the University of Arkansas he teaches composition, music theory, directs the UA Jazz Ensemble, and teaches guitar and bass.  In 2008 he was named as a Fulbright College Master Teacher.
Home Page:  http://comp.uark.edu/~jgreeson
Email: jgreeson@uark.edu


The Students

This picture is of the "current crop" of composition students as of Spring 2003.  You see them here at a demonstration on composing for timpani and other percussion instruments.  After the demonstration each of the students composed a short piece for timpani which was performed by the timpanists.

Jpeg of Current Music Composition Students



Audio Clips

Hear the opening of Robert Mueller's "Legend of Kitchi-Minnissing" for Orchestra (Real Audio 300k)

Hear an excerpt from James Greeson's "Declaration" for Orchestra (mp3 - 450k)

Listen to Matt Gates "Freedom's Call" for Orchestra (mp3 - 964k)
(Matt was a music composition major - now in the Film Scoring Program at USC)

<>Listen to Haley Beverburg's "Four Czech Songs" for soprano voice and piano
No. 1 of Four Czech Songs  (mp3 - 1.4 MB)
No. 2 of Four Czech Songs (mp3 - 2.5 MB)
No. 4 of Four Czech Songs (mp3 - 1 MB)
Melody Jenkins, soprano; Elizabeth Terry, piano
(Haley graduated in 2005 Summa cum Laude in  Music Composition & cum laude as a Physics major)

Video Clips of the Turner Classic Movies Young Composers Competition

See and hear Mark Henderson's score to the silent film clip "The Trick"
See and hear William Reyes' score to the silent film clip "The Cat Fight"



Links
Conlon Nancarrow Page - info about a famous Arkansas composer, with pics and interview clips
Film Music Institute - a site with links to competitions, summer courses, and other film music info
Harmony Central  - a good site with info about music technology and synths and such
James Greeson's Home Page - with audio clips and links to his course info and more
MakeMusic -  The home of the music writing software "Finale" with downloadable "light" versions
Music Flash Cards - an online resource to practice note names, key signatures, scale degrees and guitar notes
Music Theory.net  - a great site with basic music theory and aural skills instruction materials
Good Ear - Online Ear Training
Analytical Listening - a website about recognizing various scales and cadences and such in "real" music
Music Theory Online - the online journal of the Society for Music Theory
Set Theory  - this site has alot of useful stuff about atonal music and a Prime Form finder
Society of Composers - an organization for composers of "serious" music that presents concerts across the US and Canada
U of Arkansas Home Page - visit the rest of the U of Arkansas web site

Links to UA composition graduates websites

John Turner website - The website of  UA alum John Turner, now living and working in New York
Matt Gates website - The website of UA alum and film composer Matt Gates, now living and working in LA
Jeremy Doss website - The website of UA alum and film composer Jeremy Doss, now living and working in LA


Music Theory Course Information and Links

Course Syllabi - downloadable syllabi for many music theory courses at the University of Arkansas in pdf format.
Basic Musicianship Practice Test - an online version of the freshman music theory diagnostic text at the UA
Music Theory Online Student Site for the Kostka/Payne theory book we use.
Aural Perception Class Help Page - includes online ear training practice applications
Aural Perception Rhythm Skills Packet - used in all four semesters of Aural Perception at the UA
AP Assistant CD  -  Right Click and select "Save Link As..."  You will have to unzip it to use it.
Benward Ear-Training Recorded Examples - where you can hear some of the problems in the Ear Training Book played by Dr. Benward
Benward Ear-Training Online Form. - an interactive version of the Benward Ear-Training text, 7th ed.
How to Harmonize a Melody - some short cuts on harmonizing a chorale style melody in 18th century style
Music Theory 3 Course Materials - includes downloadable worksheets and help pages
Music Theory 4 Course Materials - including downloadable worksheets and midi files of various pieces used in class.
Music Computer Lab Info - Hours of operation, hardware and software available, suggestion box.
Second Species Counterpoint Help Tutorial - an online guide to writing 2:1 counterpoint like Bach
Fourth Species Counterpoint Help Tutorial - examples and advice on how to compose suspensions
Graduate Diagnostic Music Theory Exam Guide - to help you prepare to take the entrance graduate student test.
Music Technology Course Info - Info about the UA's two courses in Music Technology
Composing for the Guitar - a webpage for composers who don't play the guitar
Mozart's Piano Concerto K.488 Analysis
- a short example of an "umbrella" diagram

 

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